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Detailed Eect Settings

Parameter List

The trademarks listed in this document are trademarks of their respective

owners, which are separate companies from BOSS.

Those companies are not aliated with BOSS and have not licensed

or authorized BOSS’s BR-80. Their marks are used solely to identify the

equipment whose sound is simulated by BOSS’s BR-80.

COMPRESSOR/LIMITER

This is an eect that produces a long sustain by evening out the volume

level of the input signal. You can switch it to a limiter to suppress only the

sound peaks and prevent distortion.

Parameter/Range Explanation

ON/OFF

OFF, ON Turns the COMPRESSOR/LIMITER eect on/o.

TYPE

COMPRESSOR The eect operates as a compressor.

LIMITER The eect operates as a limiter.

SUSTAIN *1

0–100

Adjusts the range (time) over which low-level signals

are boosted. Larger values will result in longer sustain.

ATTACK *1

0–100

Adjusts the strength of the picking attack when the

strings are played. Higher values result in sharper

attack, creating a more clearly dened sound.

TONE

-50–+50 Adjusts the tone.

THRESHOLD *2

0–100

Adjust this as appropriate for the input signal from

your guitar. When the input signal level exceeds this

threshold level, limiting will be applied.

RELEASE *2

0–100

Adjusts the time from when the signal level drops

below the threshold until when limiting is removed.

LEVEL

0–100 Adjusts the volume.

*1. Setting available when TYPE is set to COMPRESSOR.

*2. Setting available when TYPE is set to LIMITER.

DISTORTION

This eect distorts the sound to create long sustain.

Parameter/Range Explanation

ON/OFF

OFF, ON Turns the DISTORTION eect on/o.

TYPE

Selects the type of distortion.

BOOSTER

MID BOOST

This is a booster with unique characteristics in the

midrange.

This produces sound suitable for solos.

CLN BOOST

This not only functions as a booster, but also produces

a clean tone that has punch even when used alone.

TREB BOOST This is a booster that has bright characteristics.

Parameter/Range Explanation

BLUES

BLUES OD

This is a crunch sound of the BOSS BD-2.

This produces distortion that faithfully reproduces the

nuances of picking.

CRUNCH

A lustrous crunch sound with an added element of

amp distortion.

NATURAL OD

This is an overdrive sound that provides distortion

with a natural feeling.

OD-1

This is the sound of the BOSS OD-1.

This produces sweet, mild distortion.

T-SCREAM This models an Ibanez TS-808.

TURBO OD

This is the high-gain overdrive sound of the BOSS

OD-2.

WARM OD This is a warm overdrive.

DIST

DISTORTION This gives a basic, traditional distortion sound.

MILD DS

This is a distortion sound that provides a mild

distortion.

MID DS This distortion sound features a boosted midrange.

CLASSIC

RAT This models a Proco RAT.

GUV DS This models a Marshall GUV’ NOR.

DST+ This models a MXR DISTORTION+.

MODERN

MODERN DS

This is the deep distortion sound of a large high-gain

amp.

SOLID DS This is a distortion sound featuring an edge eect.

STACK

A fat sound with an added element of a stack amp’s

distortion.

METAL

LOUD

This is distortion sound that is ideal for performances

of heavy ris.

METAL ZONE

This is the sound of the BOSS MT-2.

It produces a wide range of metal sounds, from old

style to slash metal.

LEAD

Produces a distortion sound with both the smooth-

ness of an overdrive along with a deep distortion.

FUZZ

'60s FUZZ

This models a FUZZFACE.

It produces a fat fuzz sound.

OCT FUZZ This models an ACETONE FUZZ.

MUFF FUZZ This models an Electro-Harmonix big Mu π

DRIVE

0–120 Adjusts the depth of distortion.

BOTTOM

-50–+50

Adjusts the tone for the low frequency range. Turning

this to the left (counterclockwise) produces a sound

with the low end cut; turning it to the right boosts the

low end in the sound.

TONE

-50–+50 Adjusts the tone.

E.LEVEL (Eect Level)

0–100 Adjusts the volume of the eect sound.

D.LEVEL (Direct Level)

0–100 Adjusts the volume of the direct sound.

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